Quick update - a simple headshot...

Good evening everyone.

This is another quick on the fly update just for the purpose of sharing an image from a shoot we did yesterday for a local hairdresser. The owner of the business wanted to approach one of her suppliers for the purpose of showcasing her hairdressing and styling skills. That’s cool.

So the lighting for this shot was just a single Nikon SB-900 shooting through a portable Lastolite collapsible Ezybox 60cm softbox. The flash was being triggered using another SB-900 on top of my Nikon D700 using CLS.

The lens however was one that I don’t use very often, but it’s a great bit of glass and an awesome portrait lens. It was my Sigma 105mm f/2.8 EX DG Macro. I’d use this lens more often but it is too long to use in our studio as we cannot get full length shots with this focal length; 70mm is the longest focal length for that. Oh yeah, to clarify, this shot was taken on location at the hairdressers premises. We simply used one of the walls as the backdrop.

The lighting style is just a simple Rembrandt set-up. One light. No fuss. Just make sure that you get the model to turn their head slightly to the direction of the light. No, wait – thats not entirely correct. Where the model positions their head is entirely up to you and the particular effect that you are going for. I have done some awesomely attractive shots in the past where the model is looking down and away from the light and the end result has been really yummy. So – its up to you. But... you can see how the end result looks when the model does turn their head to the light.

So this shot is wide open at f/2.8. Click on the image at the top of this post to see it a bit larger - it does it better justice. I like it. Just wanted to share that. Good night.

Quick update - guide numbers and grey skies...

Hi guys.

Just a quickie to show you all an image from today’s Bridal shoot all the way down south in Yarloop. I’ll keep this one short as we will be posting some more images soon – once I have had the opportunity to actually have a good look through and pick out some of my favourites from the 400+ images we took today.

So the image you can see was taken in a paddock that was vacant and had a “For Sale” sign on it – a good candidate we thought as it was unlikely that anyone would worry about us being there.

As I said this is only a quick post – but I wanted to briefly share one thing. Today I took out with us my newly acquired Bowens GM250 monoblock studio strobe heads. I picked up a couple of these as part of a whole packaged kit by Bowens from a colleague and fellow photographer of mine. They had very little use and I got them for a very reasonable price. Awesome.

The main reason I got these heads however was to give me something smaller and more portable (and also a helluva lot cheaper) to use on location, rather than the Bowens GM500 monoblock heads that I also have. The GM500 heads are awesome but I am always very wary of taking them out of the studio – mainly because these puppies are so expensive and I really do rely on them for our everyday studio shooting requirements. What I am trying to say here is that I can’t live without them! But would the GM250 heads be able to put out enough light in a location photography environment?

But anyway, getting to the point... I was really impressed with the power output of the GM250 heads. They have an output, or “guide number” of 54. It’s a pretty exact science but it roughly translates that at 1 metre distance from your subject they will put out f/54 @ ISO100. For comparison, the GM500 heads have a guide number of 80. For the geeks out there, the next two paragraphs may interest you...

“The guide number for an electronic flash measures its ability to illuminate the subject to be photographed at a specific film or sensor sensitivity and angle of view. A higher guide number indicates a more powerful flash.

For example, doubling the guide number means the flash can illuminate an object at twice the distance, or for an object at the same distance can be used at one quarter the sensitivity. Doubling the guide number requires a quadrupling of the flash's power, as the area to be illuminated increases as the square of the distance. (cf. inverse-square law).”

Easy right? So far as to say the GM250 heads didn’t skip a beat. Yes it was overcast and most of the time we weren't shooting over about f/9, but we also kept the flash about 5-6 meters away from Tanya (our model) the whole time. And the really best bit – I was using the Bowens Travel-Pak battery to power the heads. This thing is rated to give you 200 full power “pops” of flash when using a 500 watt/second flash head at full power. We took 400+ shots today, mostly at around ½ to ¾ power on the GM250 heads. At the end of the day, the battery indicator on the Travel-Pak was reading >75% power remaining. Fantastic.

Gotta go. Keep shooting what you love and we’ll catch you soon.

Good things come in small packages...

Hi everyone and welcome to another enthralling diatribe from us here at Timography.

I know I say it every post but this really is a quick one tonight! I have been putting in some late nights recently in order to get some post production out of the way and it is starting to take its toll on me. I must be getting old huh... wait, don’t answer that. Gone are the days when I could stay up past 2am on consecutive evenings without trouble. These days, not quite the case. I’m rambling again huh.

Ok, so to tonight’s post. I have had a mobile broadband thumb-drive modem with a certain phone carrier for a while now, and this week saw it was ready for renewal. I often use the thumb-drive if I am out and about seeing clients and I need internet access, or if I am just out and feeling bored and happen to have my (albeit large 18” Toshiba) laptop with me I’ll kill some time and surf the web. I’m sure that a lot of you have similar devices with other mobile phone carriers and they are a cool peripheral to have at your disposal.

The plot thickens. For a while now I have wanted to get myself a netbook. Why you ask? Why not an iPad? Well that is a whole other blog post in itself. Back to the netbook. I have always loved the idea of taking my laptop with me. Yes, I love to embrace my inner geek. But as I mentioned, the Toshiba is large and heavy; but it is very powerful and capable of any task or program that I throw at it. The downside of all this computing power and that huge 18” screen is that the battery life is 2 hours tops, 2.15 if I turn everything (including the screen brightness) down. You would be amazed how quickly that passes once you get into it.

So I thought the netbook would be perfect for allowing me to do simple things like browse the web, watch a movie or two on iTunes and maybe act as a backup photo storage device on larger shoots. The super long battery life of a netbook certainly appealed to me. I started looking around and did quite a bit of research and it turns out that a netbook wasn’t really going to cut the mustard as far as my needs were concerned. Then I discovered that one mobile phone carrier was bundling their mobile broadband plans with some funky little netbook computers. I looked a little further and I discovered that they also were offering the very cool and certainly very capable Acer Aspire 1410 laptop. Yes that’s right, laptop. Although this thing is only tiny with an 11.6” screen (although larger than a netbook’s 10.1” screen) this puppy certainly packs a punch, and it’s running a full version of Windows 7 Home Premium, not Windows 7 Starter or ~gasp~ Windows XP SP3 like on some current netbooks on the market. I have loaded on Lightroom 2.7 and Photoshop CS4, both of which run just fine thanks very much. It even plays 1080p HD movies – smoothly – without dropping frames. And the best bit; the 3G modem is built in so no more thumb-drive to get in the way and the battery life on this thing is 10+ hours. Oh my God. I’m a happy camper.

To the images accompanying this blog post. Katie is a model that contacted me through our website. She had done some modelling in the past but was looking to get back into more regular work. For this shoot we headed back to the old timber mill at Jarrahdale that we used a while back with Tanayah at sunset; the images from that shoot turned our really well indeed.

The image at the top of the page was amongst the last few shots that we took after the sun had set. I was using my Fujifilm S5 Pro and Nikon 85mm f/1.8 combo. The light for this image was being supplied from a single bare headed Nikon SB-900 mounted to camera right, and was being triggered by using another SB-900 on top of my camera in i-TTL mode using Nikon CLS. I wanted to keep the image, or more specifically the background, fairly light so the camera was in [A] Aperture Priority mode, 1/60^th second shutter speed, f/2.8 @ ISO200. Unlike our last blog post where the saturation was pumped up to 11, everything was zeroed as far as the in-camera processing was concerned.

The next image shows Katie being lit again by my beauty dish. The S5 Pro was this time locked in manual mode, 1/250^th second shutter speed, f/7.1 @ ISO200. I like the subtleness of the lighting here. This image was one of the first of the shoot and Katie has done really well I think with this pose. She was feeling very nervous (which is natural, of course) and it did take a while for her to loosen up. But by the end of the shoot we were getting some great shots. Thanks Katie.

I wanted to finish this post with a quick look at a new iPhone app that was released in the last couple of weeks, Camera +. I have to admit that I am a bit of a sucker too when it comes to apps for my iPhone. At last count I have downloaded about 150 from iTunes and have at any one time about 80 or so on my phone. I was a great fan of Chase Jarvis’ “Best Camera” app as it allowed you to do everything you needed to from within the app. That is, you can take the photo, edit it and upload it without leaving the application.

Camera + adopts this theme but takes it to the next level. You see, Best Camera has about 13 presets that you can play with to manipulate your image, and you can stack multiple effects multiple times on the one image to give you literally billions of combinations; but sometimes it was hard work to push your image in the direction that you wanted to – creatively speaking.

This app however makes things very easy. You select the image you wish to edit, or take a fresh one. You can then select “scenes” which mimic flash patterns or other in-camera presets such as “portrait”, “landscape” , “sunset” and so on. You can then go on to apply a number of different one touch color tonings, crops or photo borders. The cool thing is that it will give you a small thumbnail preview of how each effect will look on your particular image which makes the whole process very quick and easy. And when you are doing this kind of thing on your phone, isn’t that the whole point? Finally, if you enter your Facebook or Twitter information into the app it will upload the end result for you as well. Job well done!

Ok, time for us to go. Take care and keep shooting what you love. Oh, speaking of good things coming in small packages – this entire post and everything in it – the images, Photoshop work, watermarking, the lot – was done on my new little laptop. I love it so much!

I’m going to get a life now... :o)

Photoshop CS5 and over-saturation...

Hi everyone

Yeah yeah I know it’s been a few weeks since my last blog post but that doesn’t mean that we haven’t been busy – quite the opposite actually. So, let’s have a quick recap. Hmmm, you know what? There are a few images to talk about in this blog post so I recon I’m gonna give the summarization a miss… kinda.

The one thing that I do want to talk about is the new version of Adobe’s Photoshop – CS5. Otherwise known as the photographer’s right hand. Or left hand if you are a gifted left handed individual like me! Well my mum always told me I was gifted – that was a compliment she was giving me, right?

I’m waffling already. Geez. Photoshop CS4 was/is already pretty good. It was/is fast, clever and once you get the hang of it, relatively easy to do all manner of creative edits to your images. I have never really been a big fan of manipulating one’s images to the hilt, but I did appreciate what CS4 could do.

Enter stage left CS5. It installed no problems at all (of course, nice one Adobe) and once I opened this new version I spent the obligatory 15 minutes or so arranging my workspace and re-doing a few of my favorite keyboard shortcuts. Then I opened up a random image to have a little play. Wow. Gasps and giggles of wonderment ensued. Content-aware fill, superior HDR processing, automatic lens correction, down-right awesome RAW image processing, Bridge integration (which I have mixed feelings about), the list goes on. I could continue to go on about how cool this puppy is, but this blog is not a CS5 review.

The screenshot to the right shows how I have set-up the palettes on my workstation. Clearly, I have dual monitors. I only say that to accentuate how beneficial having two monitors on your desktop workstation can be. As the view shows, it allows me to have one screen just for the working space to manipulate the image while the second monitor has all of the palettes easily accessible, but out of the way. You really can pick-up big-ish LCD monitors really cheaply these days, but like all things related to our passion of photography, make sure you get the best ones that your budget will allow. Anyway I’m digressing once again. Can you tell that it’s already 2am and I’m having trouble staying on point?

So, to the images accompanying this blog post. I have for a while now been regularly buying fashion magazines. Oyster, Black, Karen, Lulu and Fallen are some of the titles I really like. No, I don’t get them for the free perfume samples; but rather for the photography. These are such a great resource for photographers. The images in these magazines are sublime and a great inspiration.

Anyway I had seen a couple of shoots where the models were out in the middle of nowhere and everything was bright and very colorful. Really over the top colorful. Saturation turned up to 11. Cool.

Serena once again was happy to fill the modeling shoes for me for this short notice shoot. I had spent the morning prior to the shoot scouting around for a suitable location or two and as it turned out we ended up in Cardup, which is just next door to Byford. I couldn’t find any public spaces but I did however manage to find a couple of big open paddocks with wide open gates and no-one or livestock in sight. That’ll do I thought.

The images in the magazine that I really liked all had flash filling in shadows and bringing the background right down, almost as though the models were superimposed into a fake background. So I set out to replicate that look. I think I got it. I also wanted to try and play around a bit with natural light too, you know, to get two different sets of images that were polar opposites apart. One set with deep blue skies, bright green grass and lots of contrast on the model from the flash that I would bathe on her. The other set of images would have washed out skies and really shallow depth of field, but still the accentuated colors that I was going for.

It was a little bit windy that afternoon so that kind of killed any hopes I had of bringing out my enormous parabolic umbrella, as I was doing the shoot on my own and even the sandbags I have would not have held it down. So it was beauty dish to the rescue again.

Ok, the image at the top of the blog is a bit of a favorite image from the afternoon. I like the composition and the way the clouds are not directly behind Serena’s head. The sun was actually coming in over my left shoulder which was creating some weird shadows on Serena’s face. But not to worry, I just made sure that I over-powered the sun with the beauty dish. In fact, if my memory serves me correctly the ambient light was reading about 1/250^th second shutter speed @ f/8, ISO100. So I dialed in the beauty dish at 1/250^th second shutter speed @ f/16, ISO100. That’s two full stops of colorful goodness higher than the ambient. Cool. I love the blue of the sky in this one.

The next image was from the second location that we chose for the afternoon. I liked the way that the two parallel fence lines had a bit of a converging lines “runway” feel about them. So the D700 was set to about the same shutter speed and aperture as the first image. You may have noticed that the sky is a lot paler in this image. Remember how I said that the sun was over my shoulder for the last image? Well this time we were facing the other direction and looking right into the sun which in turn means that it is not nearly as deep blue as the last image. But, there is always a but, the advantage of this of course is that now we have a wonderful rim-light on Serena.

There’s another lesson to be had there actually. Don’t forget that my Bowens powered beauty dish is putting out four times (two f-stops) as much light as the ambient light falling on Serena. Yet you can still clearly see the accent or rim light falling on Serena’s right shoulder and across her chest. Now of course it all comes down to “artistic interpretation” and how much rim light you wish to place on your subject. But it doesn’t take all that much light to create a nice effect huh.

Ok it’s now obscenely late so I need to wrap this up quickly. At the risk of stating the obvious, the last three images are all taken using only the natural ambient light. I actually was using one of my Fujifilm S5 Pro D-SLR camera bodies and my Nikon 50mm f/1.8 lens for these shots. All of the images are taken with the camera locked in manual mode, f/1.8 and the shutter speed was set to over-expose the scene by at least one f-stop. I had also set the in-camera processing to Fuji’s cool F2 mode, or in other words, the Fuji-chrome or slide film setting.

The first two images in the blog had the saturation pumped up a reasonable amount to make them pop, but for these natural light images I have hardly touched the saturation in post production at all – what you are seeing is coming pretty much right from the camera. Sure they look a bit muted in the thumbnail size that they are on this page, but click on them and you will see what I mean. I also love how soft the images are because I was shooting at f/1.8. It’s such a contrast to the top two images. Cool stuff. I hope you like the shots. I really do.

Well that’s it for me. Oh, for those of you who are wondering what happened to Sandy, fret not. She too has been a busy little puppy and has been out and about taking some great shots lately. You can have a look here at her Facebook Album, and then look here at another album. Nice work Sandy! Hopefully for our next blog post she will be back in the swing of things and making a contribution once again to the blog. Can’t wait.

Ok everyone, take care and keep shooting what you love. Bye for now.